Learning

I am doing some freelance writing for Marketing Magazine online.
Originally I applied for a copy-editing job, but they needed some extra freelancers.

Although I wasn't much of an expert on the topics Marketing Magazine covers, nor do I have a lot of experience writing for online publications, I've learned a lot about the marketing, advertising and brands in the past couple weeks.

So far, these are the two posts from me: 
Harris/Decima announces EquiTrend Brand of the Year
Mitsubishi chases down new branding campaign

It's been great to step outside my boundaries and work on a totally different style of publication. The hardest part, though, has been writing such short articles. That is definitely a new skill I need to hone.

Enjoy! I hope there is more to come. 

Find out more About Me!

I've made an About Me page. It houses a very catchy, straightforward, accurate biography of moi.

Apocalypse Survival on a Bike

The end of the world is fast-approaching according to some, but anyone on a bike will easily escape
 
llustration by Margaret Beach

There's been a lot of talk surrounding the alleged end to the Mayan calendar, and consequently the fast-approaching fate of the planet. Lately, people have been worried about whether or not a catastrophic event will occur, if the world will end, and if cities will crumble.

If that does happen, cyclists won't have a lot to worry about. If you pack carefully and mount your trusted steed at the first sign of danger, you'll make it out of harms way. You'll be able to live comfortably in the wild with essential survival gear strapped to your bike.

There is a resurgence of Gothic horror and a lot of stories, TV shows, and films featuring end-of-the-world or religious apocalypse scenarios. And just like preparations for possible zombie attacks, we should be preparing for ways to escape any potential urban downfalls.

There are many reasons why you'll be able to escape on your two-wheeled love. The simplicity and human-powered capability of a bicycle will take you way farther than any other vehicle. And while a bike is light and non-complex, it also has the potential to carry a huge amount of stuff.

"Bad Air" by my mum. That's what I'll look like when the city starts to crumble.

First and foremost, a bike will never run out of gas (unless, of course, you do). If it does end up breaking or needs a tune-up, its mechanics are simple enough to learn and relatively easy to fix. Everything is there for you to see, and with a bit of fiddling and practice, any novice and learn to tune their bike like a pro. Regular check-ups can help your escape vehicle last for a long while.

Since you will be on the road for a while, you'll want to make sure you can carry all of the essentials: tents, canned goods, dogs, clothing, camp gear, and tools If you have a trailer, hitch 'er up. Trailers are great for heavy or awkward-shaped items like a camp-stove, water jugs or children. Another great thing to have are a set of panniers and a detachable front basket. On top of all that, a large camping-style over night backpack can also be carried.

If you come to a line-up of abandoned cars or reach a large crater in the road, you can simply take off and carry each pack over or around the blockage before manoeuvring your bike around said obstruction.

It may seem a silly to plan for such destruction and obstructions, but you'll be the smart one as you pedal to safety. Think of your planning and ability to safely bike away from an apocalyptic event as added insurance, like a bomb shelter from the cold war era.

Read my recent article about why apocalypse and Gothic 2012 stories are so prevalent at this time, and how society's fears translate into pop culture (featuring gothic professor Sarah Henstra and horror writer Gemma Files).

Gothic 2012

The following is a short feature I wrote for JRN 500- Journalism and the Arts

Gothic 2012: Horror makes a comeback as we worry about the world ending

Gothic literature may seem like a long-outdated form of entertaining writing, yet it has actually made a come back lately in relation to 2012 apocalyptic, end-of-the-world fears.

In the past few years, there have been numerous shows and movies with the theme of religious apocalypse and world-ending disasters. Horror has also crept into many popular book-series-turned-film-series, whether that is the vampire-filled Twilight series or dystopian world of the Hunger Games trilogy (which made $214 million in its opening weekend as a film).

Gothic, horror, supernatural fiction, dark fantasy and dystopian literature–whatever the exact name, they all have Gothic horror elements–have always been a way for people to live out their worst fears. “Gothic is one of those genres that crosses boundaries,” says Sarah Henstra, an English professor at Ryerson University who specializes in Gothic literature. Because of this cross-genre aspect, Gothic is almost always popular and is ever-present in pop culture.

“It’s really popular during transitional states in society,” Henstra says. While Gothic is ever-present, it tends to become even more popular at times of social change and collective anxiety about the future, such as at the turn of each century and around the time of huge scientific break-through.

Each wave of Gothic fiction explores and plays-out current social anxieties. Just as The Strange Case of Dr. Jekyll and Mr. Hyde explored fears of new pharmaceuticals and Frankenstein played out society’s fear of technology, the most recent Dexter season explores our worries about religious apocalypse and uprising and the film Contagion plays on society’s extreme anxiety surrounding disease and superbugs.

“But it’s not just about 2012. It’s just a worry about new technologies and such. These anxieties are already in society,” Henstra says. Exploring our fears about the future is easy to do through fictional films and books. “It’s safe and at a distance. It’s a vicarious playing-out,” says Henstra. Seeing our fears become real on a screen or reading about the destruction of the world is a way of releasing our tension about it.

Society’s fascination with its own demise does sound a little morbid, but often getting these fears out in the open is the only way to work through them. “Fear can be both repulsive and attractive,” says Gemma Files, Canadian horror author. “Anything which allows you to explore your fears is healthy.”

“Gothic isn’t a genre at all, it’s an emotion,” says Toronto-based author and journalist David Nickle. Fear and anxiety about the future, about the state of the economy and the earth, about political uprising and natural disasters are all valid feelings. Gothic pop culture simply uses these feelings to entertain us, all the while helping us explore and work through complicated and heavy emotions.

In Apocalypse Observed: Religious Movements and Violence in North America, Europe and Japan, John R. Hall questions what is so appealing about gothic horror. “Apocalyptic images bring focus to anxieties and suspicions about a world undergoeing dramatic change,” he writes. “But what is the appeal of their seemingly fantastic, almost legendary stories?”

The answer to this question is simply the fact that fictional stories help society’s real problems. “Take the thing you want least to happen, the worst thing you can imagine, and play it through. If you do, it may possibly make your fears far easier to deal with...but even if it doesn't, there's still something to be said for exploring the whys and wherefores of those fears,” Files says. “Horror and Gothic helps with that, too: You play out that consummation in fiction, so it doesn't overtake you in life.”

Gothic may be a popular movie style and many television show nowadays has some sort of end-of-the-world theme, but the rise horror-fiction mirrors society’s wide range of real political, economic, and environmental fears and anxieties.

“We're blundering through the first twenty years of another thousand, with absolutely no idea where we're all headed,” says Files. “But I'll tell you this much--as of right now, the prospective future looks a lot more like Panem than it does like Star Trek.”

Alas, Poor Morgue

My long feature article for the Ryerson Review of Journalism is finally available online.
Alas, Poor Morgue! We knew it well. A fond look back at the old-style newspaper library.

Graphic Reporting

I recently wrote "Graphic Reporting" a short feature for the Ryerson Review's site.

It's been 20 years since Art Spiegelman's Maus won a Pulitzer prize. Since then, many great non-fiction and reportage-style graphic novels have been published, like Marjane Satrapi's Persepolis, Richard Poplak's Kenk: A Graphic Portrait, Joe Sacco's Palestine, and more recently Chester Brown's Paying For It.


My article looks at how graphic novel journalism has progressed in the past couple decades, and what this means for readers and writers alike.

Also, don't forget to check out my That Was Then, This is Now posts on the RRJ blog. My most recent one is about Jian Ghomeshi and how he started out on the other side of the microphone.

Most Post: The National's Ron Charles and Leanne Hazon

The Ryerson Review of Journalism has been doing a video series on the website called "The Most Tales." Corey Mintz, for example, talked about his most bizarre meal. Toronto Star food editor Jennifer Bain discussed her most dangerous moment in the kitchen

I went to CBC's Toronto headquarters to meet with The National's Leanne Hazon, assignment editor, and Ron Charles, reporter. They both told me about the most memorable story they ever worked on. Check it out on the RRJ web site.

CBC's New Drama, Arctic Air, Takes Flight [Review]

The following is a review I wrote for JRN 500- Journalism and the Arts.

Arctic Air, CBC Television's new series, is only a few episodes into its first season, but this cold-weather Canadian drama is quickly taking off. Based in Yellowknife, the show follows the lives of the workers at a small-time flying companying, both in the air and on the ground.

Bobby Martin (Adam Beach) returns to Yellowknife after years of living in “the south.” Upon his return, he encounters a lot of old friends with mixed feelings about his return. Bobby may be a charmer, with nice smiles and nice words, but when he gets punched in the face during the first five minutes of the show, it becomes apparent that he has some bad history.

Krista Iverson (Pascale Hutton) is an old school-mate of Bobby's, and her father Mel (Kevin McNulty) is actually Bobby's business partner at Arctic Air, simply because Bobby inherited shares. They have a relatively good relationship with Bobby, but that can't be said of Bobby's old love interest Petra Hossa (Lexa Doig) and her father Doc Hossa (Micheal Hogan).


While over-arching plot elements focus on Bobby's past and present personal and family issues, each episode also contains a mid-air flight fright, whether that be a woman in labour, an electrical storm, or a small-scale hijacking. The showy adventures are fun to watch, but the family issues and half-cooked romances seem much more real than those high flying dramatics. It's the day-to-day problems that keep you hooked.

The show also explores bigger social, racial, and political issues. Bobby is a native and a former oil prospector who spent a good chunk of time in the south. More than once, he encounters racial slurs, anger towards the oil industry, and backlash against his supposed northern abandonment.

There are a few cheap thrills and chills, but there are also a few deep-rooted issues and breathtaking scenes of Canada's north. For a born-and-and-bred Torontonian, Arctic Air is as exotic and different in subject matter as it is in northern Canadian scenery. (For the rest of unsheltered Canada, this series is probably just a good bit of entertainment.)

Photo Credit: From CBC Revenue Group, http://www.cbc.ca/revenuegroup/arctic-air.html

RRJ Blog Posts

I'm writing a series of posts with a friend for the Ryerson Review of Journalism's blog called "The Was Then, This is Now." It's a series of posts about the early career days of Canadian journalists.
Check out my first post about John Macfarlane, editor of the Walrus magazine and veteran writer and editor.

Appreciation: Jeanette Winterson

The following is an assignment I wrote for JRN 500: Journalism and the Arts. My instructor seemed to like it, and I enjoyed writing it.

During the fall of 2007, I borrowed “Oranges are Not the Only Fruit” by Jeanette Winterson from a friend who had never read it before. At the time, I had never heard of Winterson, nor had I read any of her other works. The moment I peeled open the pages of “Oranges,” I couldn't put it down. I discovered that each word in Winterson's novel is a delicious, juicy, succulent piece of a larger story.

Up until the age of 17, I thought that poetry and p
rose were completely different forms of writing. One was straightforward and used sensible language to weave a plot. The other was often chaotic, using flowery language to express abstract ideas.
Upon reading Winterson's autobiographically inspired novel, I found that prose and poetry could be one in the same. The phrases Winterson uses are prose in the sense that they build towards a larger plot, while the way she writes, weaves, and creates her story is more poetic than any poetic verses I've ever read.

In “Oranges,” Winterson explores her own upbringing, the realization of her love for literature, and her blossoming sexuality in a household that kept only the bible on its bookshelves. With flowing language she describes stuttering teenage times, and with comedic verses she delves into the sadness and confusion of her youth.
Shortly after reading “Oranges,” I began the lengthy and enjoyable process of devouring every book Winterson has ever written. “The Passion” and “Written on the Body” have climbed to the top of my own recommended reading list.

Each novel Winterson writes is just as poetic as the last. She has a way of using short, sort of surprising phrases next to long, rambling sentences full of commas, parentheses, and dashes. This fashion of forming her sentences is something I have longed- and tried- to replicate, but I will never achieve the poetic level of prose that Winterson has reached.

Furthermore, within all this poetic-like prose, Winterson is never too explicit. Even when writing about sex, death, and blood, she manages to create a soft image, a sideways reference, and a gentle reference with no rough explanations. While much of the poetry and prose created over the centuries has been about love, sex, and death, Winterson is able to describe a huge range of emotions and extremely subtle physical experience with a few well-placed words and simple adjectives.

For months after I read “Oranges,” I urged the friend from whom I borrowed the book to read its intriguing mixture of prose and poetry. I would repeat lines from that novel- and many of Winterson's other stories- to friends and family in order to bate them into reading my favourite novel. I even chose an “Oranges” quote as my high school graduation message: “If you want to keep your own teeth, make your own sandwiches.”
I am still repeating those same lines today.

Yellow Tomatoes

Oh my gosh, I haven't posted anything in a very long time.
I have no excuse. I simply forgot.

Recently, I tried many different kinds of tomatoes: green zebra tomatoes, oxford tomatoes, and, my favourite so far, yellow cherry tomatoes.
Yellow cherry tomatoes are sweet and delicious. They don't have a very acidic taste (at least not the ones I had) and they are a nice bite-sized snack.


I made a salad with them: some herbs, garlic, and mini-bocchini cheese. It was so good, I could have eaten four bowls of it.

"Why is the phone ringing?!"

On Saturday, my mum installed a phone in the playroom/TV room/basement so she didn't have to sprint up the stairs every time the phone rang.

I called the house Saturday afternoon. My dad picks up, says hello, and then I hear Jo, my six-year-old sister, on the phone. "Why is the phone ringing?" Jo yells, directly into the receiver.

Okay, I think, it's a learning curve, she'll get over it.

I called the house again the next day. After about half a ring, someone picks up the phone, drops the receiver, picks it up again, and screams, "I got it! I got it!"

It's Jo.

I complain about my eardrums, and Jo finally gives my mum the phone, who assures me she will tell Jo to say 'hello' when answering the phone.

Apparently it worked. My other sister Adelaide phoned about three minutes later. Jo picked up the phone and sweetly said "Hello? Who might this be?" So, Jo did get over that learning curve. Though, it was three minutes too late if you ask me.

What's the difference?

So I'm a little confused.

My post about The Cyclepath on Danforth wasn't accepted by BlogTO because it "reads too much like an ad for the place."

Though, their recent review of Sweet Pete's on Bloor reads almost the exact same way, from what I can tell.

How does mine differ? If anyone can give me specific pointers, I would really appreciate it, because right now I don't understand.

Children's Pencil Obsession

My mom wrote me this email today. It's about my six year old sister, Jo. I have made some edits concerning grammar, typos, punctuation, etc.

Todays' Strange Story:

I was doing some spring cleaning on the front porch "after school" today. Jo was hanging out, enjoying the warm sun, stomping in last bits of snow and talking to passing cats.

She seizes upon an object she sees on Allen's (Allen is the house directly next to ours) lawn and brings it to me asking "Do you know who this belongs to?"

It's a pencil.

I admitted I had no clue and semi ignore her as she babbles on about various ways the pencil might have been lost and by whom. "You know what we should do?" she asks me. Because I am concentrating on some glamorous cleaning task, I didn't think before I spoke and said "No, what?"

"We should draw a picture of the pencil. or maybe take a picture. And put it on a poster and......" Fill in about three minutes of goofy drivel in which Jo describes an elaborate scheme to return the pencil to its, no doubt distraught, owner.

I assured her that wasn't necessary and not to worry, just put the pencil back if she was worried and maybe its owner would pass by and notice it.

I finish the clean up. We go in. I start whipping up some supper and Jo watches TV.

About 45 minutes pass. Then the doorbell rings.

An embarrassed looking Olivia (our neighbour, who sometimes babysits the following two children) is with Ivor and Miranda. Now Miranda (age 5) has the pencil and is waving it at me: "Is this yours? Do you know whose pencil this is?"

I resisted the urge to say "I have no f*%$ing clue and I don't care." Ivor (age 1) comes in to visit the dog and Miranda just keeps going on about this orphaned pencil.

As Olivia was dragging them both back down the steps I told her about Jo's earlier pencil issues. We agreed that it could never be said of the children of today failed to really care about pencils.

Bespoke tailoring in Toronto

I wrote this for my fashion journalism class at Ryerson. Couldn't think of anywhere to pitch it, but it will do nicely on here.

Men's suits have never gone out of style. Just like any other form of fashion, they have trickled down, been influenced by world politics and the economy. They have changed shape, length, width, colour, material, and texture.

These changes and fluctuation come and go in waves, often returning to a style that was popular a few decades earlier. Each subsequent age wants to have their own look. “There's always been a shift between generations,” says Mayan Rajendran, a first-year graduate student at The School of Fashion at Ryerson specializing in street fashion. “Silhouettes are constantly shifting. With each category of age there's always a contrast. You always want to be doing what your dad wasn't.”


Bespoke- a style of extremely specific custom tailoring- was the only thing available 100 years ago. A suit included a jacket, vest, and two pairs of pants. A bespoke suit was created for an individual, for one single person and it would never fit another person the way that it is made to fit the original wearer. But mass-produced clothing became popular during the industrial revolution, and bespoke tailoring became much too expensive for most people.

But now, bespoke tailoring is popular among young New York and London businessmen, and it's slowly effecting Toronto's high-end fashion. Today, lot of young professional lawyers, judges, and news anchors in Toronto have been getting their suits custom made. Bespoke, along with a sort of British Dandyism style (skinny suits, coloured socks, and tapered pants) is becoming much more popular among young Torontonian businessmen.


Terry Beauchamp is the current owner of Walter Beauchamp Tailors, the oldest tailoring company in Toronto. The company started out as a tailor for military suits. Now they do formal wear and the occasional RCMP or police uniform. Most customers are financial workers, TV personalities, musicians, and government officials, but practically all of the suits they sell are bespoke.

Terry Beauchamp, who has owned the store since 1985, has noticed younger men coming in. “It's sort of a nostalgia renaissance,” he says. Bespoke tailoring requires many different measurements, not just the inseam, waist size and shoulder size. “They love shopping here. They're not used to getting looked after,” Beauchamp says of younger men. Mostly, men in their 20s and 30s want to get a suit resized or updated, but occasionally a young man will come in to get a brand new bespoke suit.

One of Beauchamp's recent customers Mike Koncan, 24, is a fourth year RTA student at Ryerson. He has been on RUtv as well as well as Rogers TV in Mississauga. Koncan's parents bought him a custom suit at Beauchamp for his birthday. “I love it. It feels like day and night compared to other jackets,” he says. “I would much rather wear the custom suit and jacket than any of my others.”

But Koncan says he doesn't know a whole lot of people his age ho would wear a custom made suit, most likely because they don't require one for their profession or they simply can't afford it.

Though Glenn Vernie does require suits for his job. He is the network administrator for MicroAge, a Toronto technology company. He is 41 (he said he wouldn't call himself young, but compared to a lot of men who wear or wore tailored suits, he is quite young) and started going to Beauchamp Tailoring about three months ago.

“The issue was I couldn't really find anything that fit properly,” Vernie says. He used to shop at stores like Hugo Boss and Harry Rosen. “I was paying $2,500 for a suit and it still wasn't fitting properly. It was frustrating.”

Vernie had a double-breasted suit made for him at Beauchamp. It was custom tailored to fit him exactly. He also brought in a number of suits that didn't fit him and he had Alfonso Prezioso, the head tailor at Beauchamp, re-do them. “He's a magician,” Vernie says of Prezioso. “He basically tore them apart and remade them. I was just going to throw them out.”

Prezioso was trained in Italy and has been with Walter Beauchamp Tailors for over 40 years. Finding a tailor who has skills as good as his is rare in recent years. Today, suits are usually mass-produced and they don't have the same care and proper fittings put into them. Yet, thousands of people still buy mass-produced suits don't actually fit their body type.

Bespoke suits are completely unlike mass-produced cloths. They are measured and tailored numerous times so they fit the wearer exactly. “We don't think the way the modern world does. We make things too good and they last,” says Beauchamp. “But people appreciate that.” Bespoke suits have an “artisanal quality,” Rajendran says. A suit can be extraordinarily comfortable, but only if it is made to fit the wearer perfectly.

The whole effect is like a morale booster. “You feel like you look better, so you just feel better about yourself in general,” Koncan says. “If your first suit is one of those, it's hard harder to go back,” he adds.

“The dilemma is to convince people that we're not just stodgy old farts,” Beauchamp jokes. He knows that people who value quality and art in fashion will always value custom tailoring. “Knowledgeable fashion people always respect the bespoke tailoring.”


Photo Credit: All photos are courtesy of Beauchamp Tailors.

The Cyclepath Danforth

I originally wrote this post as sample for BlogTO. They didn't like it. But I do. So I'm posting it here, since I didn't do the work for nothing.
When I walked into The Cyclepath on Danforth, I was slightly in awe.

The store is lined from wall-to-wall and from floor-to-ceiling. They stock about 10 different styles of bikes, plus a whole lot of sub-genres that I won't even go into.

They have unicycles, 29-inch wheelers, kids' bikes, stylish and trendy cruisers, fixies, and flashy racing bikes. They also stock fold-up bikes for those who live in tiny apartments, adult trikes for the elderly and disabled, and trailers for pulling kids, supplies, or groceries. They're selection of women's bikes is much bigger than any other cycling store I've seen, and they also have an extensive BMX collection.

The bikes are priced anywhere from $200 for a basic bike on sale, to $3,000 for a nice speed rider.

In the spring, The Cyclepath stocks about 800 bikes, but in the summer months they can stock as many as 950 bikes. They receive weekly shipments, and if you can't find what you're looking for, they will order it for you.

But it's quite rare that they won't have what you need in stock.

They carry hundreds of accessories and parts, priced from $5 to $250, some displayed in an open walk-in safe left over from when the building was a bank.

I got some great ideas on how to pimp up my old clunker. They even have clothing to pimp up yourself.

The Cyclepath also has full time mechanics to help turn your creaky old bike into a smooth glider. They staff four mechanics in the summer and two in the winter. They do break and gear tune-ups for $30, or full tune-up of breaks, gears, lubing gears and chain, plus tightening up head set and bottom bracket for $60. They even offer a whole bike overhaul for $120, which basically makes your bike new again.

The mechanics try to get everything done as quickly as they can, especially for those who need their bikes to get to work or school.

They're currently working on a bike bath station, but an opening date and prices haven't been decided on.

But the main thing that sets The Cyclepath apart from other bike stores is its total accessibility. This goes hand-in-hand with wide variety of stock and its many services. Staff members are open and friendly, and with 20 staff members during peak season, you're almost sure to get all your questions answered. Any type of cyclist can walk into The Cyclepath and feel welcome.

*Photo Credit: All photos taken from thecyclepath.com.

Bjoerling's Larynx: World Famous Opera Houses (Reposted from JRN504 WordPress)

David Leventi currently has a photographic exhibition, titled Bjoerling's Larynx: World Famous Opera Houses, showing at Beau XI gallery. The collection is named after a famous Swedish operatic tenor, Jussi Bjoerling, who has been called the best singer of the century.



The pieces featured are large-scale photographs of famous opera houses from different cities across the globe, taken between 2007 and 2010.

Each photo is taken from the spot at centre stage where a performer would stand, leaving symmetrical spaces on both sides. The photographs are huge, almost mural sized, and they hang on the wall at perfect eye-level. When you stand directly in front of the photo, you feels as if you were surrounded by the building. You are swallowed up by it.

As Leventi writes in his artist statement, the photos “freeze for eternity the instant before a performance takes place.” The photos are meticulous. Yes, they are architectural spaces, but they are also portraits that show the history and wealth of a country.



“I experience an almost religious feeling walking into a grand space such as an opera house,” Leventi writes. And looking at these photos does give me a sense of awe. One of the larger photos, Teatro La Fenice in Venice, makes me feel as if I am standing in the opera house. It is, in a way, intimidating.

The spaces vary in colour, most of them with plush red velvet and elaborate gold woodwork, but a couple are decorated in cool white marble or blue painted walls.

Some famous buildings included in the collections are the Metropolitan Opera House in New York, the Bavarian State Opera in Munich, the Theatre Olimpico in Vicenza, Italy, plus many more elegant opera houses.



The show runs until the end of February at Beau XI gallery, 340 Dundas St. West.

News for Kids

By the way, I've begun writing for TeachKidsNews.com. It's a website that pairs down news stories that kids might be interested in and makes it easier for children to understand.
My first post was about the "uncontacted" tiribes in Brazil.

Canada Reads: Day Three

So, as we all know by now, The Best Laid Plans by Terry Fallis won Canada Reads: Essential Book of the Last Decade. Very big, exciting accomplishment, especially considering the story behind its publication. (CBC 2 calls it "The little satire that could.")

Yes, I realize there is a day missing in between Day One and Day Three. Unfortunately, I had work on the morning of Day Two, so I was unable to rise extremely early, mission down to the CBC and then stand in line for two hours in order to get into the studio.

Plus, apparently Day Two was a little surprising, because Debbie Travis admitted that she hadn't aaacctually read all of The Best Laid Plans, but somehow thought that she would still be an adequate judge.

On to Day Three!

There was a slight change of plans; midway through the line up, I realized I wasn't able to stay the entire length of the live broadcast (had a test to get to). So instead, I stayed in the atrium and watched the majority of Canada Reads from there. (Frankly, it was a little more comfortable on those couches.)

I am happy to report that Jian was again wearing colourful socks. Monday Jian had on blue socks. A little bit of colour underneath a dull black or grey suit can really liven things up.

Ali Velshi, the winning book's defender, kept making fun of Jian's "cheesecloth tie," though I'm not exactly sure what he meant, since the high-def TVs in the atrium aren't as high def as they need to be apparently.

There were two votes within the hour. Unless by Carol Shields was voted off first, creating a stand-off between The Best Laid Plans and The Birth House by Ami McKay. Unfortunately, I had an inkling that The Birth House would be voted off, and indeed it was, leaving Fallis' political satire as the essential Canadian novel of the past decade.

It was certainly an exciting and tense three days. And now it is all over until next year.

*Photo Credits: The Globe and Mail and CBC News, respectively.

Canada Reads: Day One

Today was the first of three days of debates for Canada Reads! It was hosted by Q's Jian Ghomeshi.

The top five books were picked in November. They are:
The Best Laid Plans by Terry Fallis (defended by Ali Velshi),
The Birth House by Ami McKay (defended by Debbie Travis),
The Bone Cage by Angie Abdou (defended by Georges Laraque),
Unless by Carol Shields (defended by Lorne Cardinal),
and, my personal favourite, Essex County by Jeff Lemire (defended by Sara Quin).


Essex County was my top choice. The author lives in my neighbourhood and he comes into the coffee shop where I work, so I feel the need to cheer him on. But it is an amazing graphic novel. It doesn't have many words, but the drawings are spectacular. Yes, they are quite simple, but so much is shown through the characters' minute changes in facial expression. It is a sad, powerful, novel. (And yes, "cartoons" count as novels. There is a huge difference between a cartoon and a thoughtful, in-depth graphic novel.)

Not only did I love the book itself, but Sara Quin was defending it, and I love her. She is half of the musical duo Tegan and Sara. I love them! Love, love, love them! I have most of their CDs (I haven't bought the new one. I'm a little behind in my CD purchasing.) I saw them perform live at Danforth Music Hall a couple years ago. They had great stage banter. Highly amusing.

Sara did a great job at defending Lemire's novel. She had very good arguments, resolute but sound opinions, and she spoke eloquently. She had a lot of punch behind what she said, but she didn't have to swing her arms around or point her finger at people (*ahem* Ali Velshi).

I think Essex County was the first to be voted off because the older generation isn't actually as open minded to a new form of novel as they think they are. Sara and the audience were all of a younger generation, while the rest of the panelists were older. They weren't much older, but there was a definite generational gap.

After the broadcast stopped, the audience got their chance to speak. The majority of the audience was in support of Lemire's novel, and they vehemently defended the book. Several audience members also spoke up, and the panelists looked a little taken aback that everyone was ganging up on them.

Yes, they may have been told to pick the "essential Canadian novel," but they barely gave this newer form of book a chance. They may be hoping for a novel that could change the way Canadians think about reading, but they voted off the only book that is different from the others, the only novel that was a change itself.